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Teapots IX Biennial – Main Galleries
Our Biennial Teapot Exhibition
January 11 @ 10:00 am – February 26 @ 5:00 pm
Click here to view all Teapots IX teapots with sizes and prices. If you are interested in purchasing a teapot, visit the gallery or contact the Front Desk at 410-578-1919,Tuesday-Saturday 10-5. Please note that some work may have been sold prior to your inquiry.
Teapots are evocative, they imply hearth and home, cozy days sipping hot elixirs poured from an elegant vessel. They are also a complex challenge for the artist, balancing form and function. Each element compliments the other like a symphony of shape, volume and ergonomics. Functional wares come alive through their use and aesthetic appreciation.
Baltimore Clayworks is proud to have the keen eye of Jen Allen as our juror selecting this exhibition’s offerings. She is a studio artist and ceramic educator, well-versed in the teapot’s history, making and use. Her family believes “tea tastes better when steeped in a ceramic vessel” and she loves the focus needed to make a utilitarian teapot. “The process of fashioning a teapot out of clay takes patience, perseverance and contemplation. As a juror, whether your teapot is utilitarian or sculptural, hand-pinched or 3D-printed, traditional or contemporary, I look for works that give me pause. I look for works that spark my curiosity; works I need to experience in person.”
Elka Adomowicz, Dyan Akkouche, Jen Allen, Kait Arndt, Osa Atoe,Posey Bacopoulos, Hayne Bayless, Anne Bowen, Samantha Breigel, Wes Brown, Timothy Carr, Horacio Casillas, Cynthia Deitch, Beverly Fetterman, Heidi Frank, Yoshi Fujii, Lisa Guiliani, Eunkyung Han, Jason Hess, Steve Hilton, Mike Jabbur, Catherine Joanny, Shika Joshi Huey Hyuk Lee, Anne Maraviglia, Taylor Mezo, Michael Poness, Constance Rankin, David Smith, Amy Song, T.R. Steiner, Mike Tavares. Leathia West, Jean Wrathal.
“I am honored to be asked to jury Baltimore Clayworks Teapot exhibition! Tea is a daily part of my family life and we have a small collection of teapots that are used often. From English Breakfast tea in a brilliant, colorful Sarah Jaeger porcelain teapot to genmaicha in a contemplative, stony Fujimoto Hide’s Shigaraki teapot with a cane handle to Pu-erh in a polished, traditional Yixing teapot.
As a potter, it is my hope that my work will live long lives in other people’s homes and be used for what I, as the maker, intended. Only then can the pot that I have labored over truly be complete. I relish in the focus needed to make a utilitarian teapot. Aside from aesthetics and creativity, one must consider weight, volume, the angle and taper of the spout, the fit of the lid, the comfort/placement/type of the handle, the feel of the knob the size of the holes to strain/infuse the tea or space for a separate infuser, the smoothness of the foot. The process of fashioning a teapot out of clay takes patience, perseverance and contemplation.
As a teacher, I assign teapot projects due to the inherent complexity of the form. Teapots are composite pieces, consisting of disparate parts that must come together in harmony AND be able to function properly. I believe that no matter how long one has been making pots, the teapot continues to teach a potter a great deal about ergonomics, physics and engineering.
Jen Allen received a BFA (2002) from the University of Alaska, Anchorage, and a MFA (2006) from Indiana University, Bloomington. From 1998-2002, she worked as a production assistant to Kris Bliss at Bliss Pottery in Anchorage, AK. In March 2008, the National Council for the Education of Ceramic Arts (NCECA) recognized Jennifer as an “Emerging Artist.” Among other awards, she was the recipient of the 2006-2007 Taunt Fellowship at the Archie Bray Foundation in Helena, MT. In addition to keeping a home studio, Jennifer currently teaches ceramic classes at West Virginia University. She lives in Morgantown, WV with her husband Shoji Satake, their two kids, Annelise and Finn and their two dogs, Billie and Ella.